Exploring Tumbleweed Connection, Elton John’s Americana Experiment
Elton John and Bernie Taupin were only a few years into their partnership when they created Tumbleweed Connection, a sepia-toned dive into American folklore recorded in the middle of London. More than five decades later, it remains one of the most confident and imaginative albums of their early years.
When Tumbleweed Connection arrived in 1970, Elton John was just twenty-three years old and already beginning to attract attention. This third studio album confirmed the promise of those first records and marked the moment when he and Bernie Taupin pushed their writing into richer, more cinematic territory.
I feel as if I have been working backwards through Elton’s early albums. Tumbleweed Connection only revealed itself to me properly on its fiftieth anniversary during the 2020 lockdown. I had picked up a run of his early records on vinyl and wanted to hear them as a fresh listener might have experienced them at the time.
Recorded at Trident Studios in London, only a short walk from Soho, the album could not have been further from the dusty landscapes it evokes. Taupin had been steeped in stories of the frontier and the Civil War for years, reading American history long before either of them had travelled there. Those obsessions shaped the album far more than geography ever could. Together, they created a fully imagined world that felt old, weathered, and strangely believable.
John F. Higgins, writing on the official Elton John site, noted the creative shift between albums. He described how the pair moved away from the poetic British landscapes of their previous record and instead reached for the sepia colours of the American West, painting with broader, bolder strokes this time around.
Taupin’s lyrics are the backbone of the record. His storytelling brings to life the plains, mountains, saloons, and quiet backwaters of the American West. The imagery is vivid and confident, the writing full of small observations that deepen the atmosphere without drawing attention to themselves. Elton’s vocal delivery completes the picture. He sings with real conviction, carrying the weight of characters who feel older than he was at the time.
The album opens with “Ballad of a Well-Known Gun”, an energetic scene setter that drops you straight into its world. “Where to Now St Peter?” is a more reflective moment, following a worn-out gunslinger at the end of his life as he looks back on violence, regret and the choices that shaped him. “Amoreena” lightens the mood, a song about a gunslinger’s lover that drifts along on a gentle melody filled with longing.
Elton’s performance across the album feels inspired. His voice has both power and restraint, shifting between characters and moods with a maturity that belies his age. One of the great moments is “My Father’s Gun”, a moving piece about a young man trying to reconcile himself with his father’s past as a Confederate soldier. The vocal is full of emotion without tipping into sentimentality, and the production gives the song real presence.
Writing in Rolling Stone at the time, Jon Landau praised the strength of the melodies, the quality of the lyrics, and the overall assurance of the performances. Audiences seemed to agree. The album climbed to number two in the UK and number five in the United States, establishing Elton and Bernie as a partnership with remarkable range.
If you have not played Tumbleweed Connection for a while, give it another listen. The writing is sharp, the arrangements are full of character, and the album still feels as fresh and imaginative as it did in 1970.
About the Album
Tumbleweed Connection was released in October 1970 and recorded at Trident Studios in London. Produced by Gus Dudgeon, it followed Elton John and preceded Madman Across the Water, completing an extraordinary early run. Today it is regarded as one of the most distinctive concept albums in Elton and Bernie’s catalogue.
“I’d like to know where the riverboat sails tonight.”