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U2 Achtung Baby Album Cover Detail

Achtung Baby was my first real immersion into U2. I’d been aware of the Unforgettable Fire and the Joshua Tree, but I’d never considered myself a fan until then.

At the end of the 80’s U2 were white hot. They had releases the Joshua Tree which had been a huge global hit, possibly one of the biggest selling albums of the decade. They followed this with a gigantic tour and a movie/album ‘Rattle & Hum’ (which was seen by many as arrogant but more on that some other time.) As the year and decade came to a close, U2 performed a number of gigs in their hometown of Dublin, at the end of their Lovetown tour.  In one decade the band had gone from a struggling ‘post punk’ band to the biggest band on the planet.

As the concert, and the decade drew to a close, Bono said this was the “end of something for U2” and “we have to go away and dream it all up again”, hinting of a new musical direction to come.

The Path to Berlin, Baby

For U2, the early 80’s for U2 had been about growing up in Dublin, then looking towards America as the promised land (Unforgettable Fire), realising it wasn’t as good as they had hoped (Joshua Tree) but not before they had adopted the Americana of large hats and swagger for Rattle & Hum.

Bono’s ‘dream it all up again’ was to be a trip to Berlin to record in the world famous Hansa Studios. A large building in West Berlin, Hansa studios had become an iconic source of inspiration even before David Bowie added another layer of mystique with the recording of his ‘Berlin Trilogy’ of albums – Low, Lodger & Heroes. In the Eighties bands as diverse as The Bad Seeds, Depeche Mode and Marillion had all beaten a path to record in this hallowed studio.

Struggling for inspiration at the start of a new decade, the band decamped to Berlin at a time when both the Berlin Wall, and the Edge’s marriage were collapsing.

Achtung Baby, recorded in Berlin’s Hansa Studios near Potsdamer Platz

From Zoo Station to Mysterious Ways

If the previous albums had been influenced by Americana, all strings and orchestrations, Achtung Baby brought them right back to Europe melding Punk style guitar thrashing with synths and noise. The album opened with some serious guitar work and Bono’s distorted vocals on Zoo Station (just a stop down the line) before moving onto the club hit, Even Better Than The Real Thing (a nod to televised Gulf War) then One which I think was written about Bono’s friend who died from AIDS. Three massive tracks to open a new decade.

The album mid section covered themes of desire, distrust and despair. Who’s Gonna Ride Your Wild Horses could be about an emotionally dangerous woman, “Baby, can we still be friends?” ; Until the End of the World considers betrayal “I kissed your lips and broke your heart” ; So Cruel “I gave you everything you ever wanted, It wasn’t what you wanted..”

The Fly. Totally unlike anything I had ever heard before, all screaming guitars falsetto chorus. The lyrics could be a reflection of the Rock Stars they had become, “Every artist is a cannibal, every poet is a thief, All kill their inspiration and sing about the grief”, or further introspection on breaking relationships,

A man will rise
A man will fall
From the sheer face of love
Like a fly from a wall
It’s no secret at all.

The Fly

Mysterious Ways started to include Middle Eastern influences that were to influence No Line on the Horizon 20 years later, it’s lyrics still talking about love, “One day you’ll look back and you’ll see where you were held now by this love..”

The Final Four Tracks – ‘Arms to Love is Blindness

For me, the final four tracks on Achtung Baby were overlooked. The hit singles had been played and now we were on the run out to the end of the album. Much like Pop the last few songs offered even greater depth and introspection that shows a deeper side of U2 that is overlooked by the casual listener (which is cool.)

Tryin’ To Throw Your Arms Around The World feels like the singer (Bono) struggling to fix everything ‘arms around the world’ could be trying to fix the world (Bono’s work with Live Aid or Amnesty) or trying to help a friend (Edge) in his time of need.

Ultra Violet – a love letter from Bono to his wife Ali, examining his own frailties. “When I was all messed up, and I had opera in my head, your love was a light bulb, hanging over my bed..” Bono’s father was a singer “the reason opera is in me” Bono would later sing.

Acrobat – a sense of frustration but maybe of hope for Bono & Ali? “I know that the tide is turning ’round, so don’t let the bastards grind you down.”

Love is Blindness. The perfect final album track.

Love is blindness
I don’t want to see
Won’t you wrap the night
Around me?
Oh my love

From Achtung Baby to Zoo TV

Larry Mullen Jr had grown frustrated with the Joshua Tree/Rattle & Hum tour trotting out the band’s ‘greatest hits’ night after night. For this tour we were treated to Zoo TV, unlike anything I had heard or seen before. With a confessional booth in the car park (the confessions were screened later to the crowd), DJ Paul Oakenfold on the warm up, Trabants for lighting rigs and satellite TV broadcasts the tour was one of the most memorable of any concert I have been to. Zoo TV and Zoo Radio are enough to cover in another post.

Achtung Jamie

I was first introduced to this album by a school friend, John. Somehow we became friends and he offered to lend me the CD, out of the blue. At that point I had only ‘Rattle & Hum’ on CD. I had heard ‘The Joshua Tree’ but I didn’t own a copy and didn’t consider myself a U2 fan.

The first single from the album was ‘The Fly’ which was unlike anything I’d heard before with a crazy ‘multimedia’ video to go with it. Back in those days you may have seen it on MTV but there was no YouTube or Itunes to see it repeatedly. It may look a little dated now, but at the time this was just nuts.

I would have copied the album to cassette and handed it back. I later bought it on CD and played it to death (well not quite, I still have the original CD.) This is one of those albums you put on then turn it up, then turn it up again every song until you get to Mysterious Ways by which time you’ve probably upset your parents, flatmate or whoever is in the car next to you!

As I grew to love the album, my focus shifted to some of the later tracks. The last few songs on the album, after the Fly and other hit ‘Mysterious Ways’ were slower and much more introspective. “Trying to throw your arms around the world” opens with this wonderful bass line that almost ‘doubles’ in sound before the singing begins. (They do that on ‘Seconds’ on the War album and later on ‘Last Night on Earth’ from Pop.) ‘Acrobat’ and ‘Ultraviolet’ often get overlooked but offer up some fantastic lyrics but it is the final song on the album that seals the deal.

“Love is Blindness I don’t want to see, won’t you wrap the night around me?…”   on the subsequent Zoo TV tour the big screens just had the constellations spinning on a dark screen. This was the last song of the night and remains something I will always remember.

The Achtung Baby album cover designed by Anton Corbijn

It was Achtung Baby that kick started my fascination with the city of Berlin, it made me a huge U2 Fan and a passionate listener to this classic album. Writing this article today was yet another excuse to play the album and delve into it’s meaning. Like any lyrics my interpretations are just that. They may be right, they may be wrong and I am sure they will change over time.

They say a secret is something you tell one other person, so I’m telling you


I am Jay, the founder of Wine, Travel and Song. UK based, I set this blog up in 2016 to share my passion for food & drink, travel and music - Wine, Travel & Song. In these posts I share some of my passions in the hope that it may inspire you to go there, eat that or listen to this. In return I hope you will comment and share recommendations of where to go, what to eat and what to listen to!